kerrie welsh
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Work-in-progress
A short tale of love (and death) at first sight which investigates the romantic conventions of Hollywood narrative.

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Trace Decay
Trace Decay is an experimental collaboration with my sister, choreographer Sasha Welsh. Exploring found footage from the 1940's with dancers Laurie Berg, Cindy Chung Camins and Cynthia St. Clair, we are investigating processes of memory (both cultural and personal), and the experience of the passage of time.

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Swimsong
Contemplative and sparse, Swimsong follows three generations of women as they swim through a sound-scape of memories, exploring family relationships in relation to aging and remembering.

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Flesh Against Flesh
A video installation and live performance that explores embodied memory from one generation to the next.  We want to evoke the intimacy of family relations, and explore the consequences of one woman’s experience of breast cancer on the family unit.

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We Are the Olden Days
A video installation inspired by the weird world of Marie Bonaparte-the woman who saved Freud from the Nazi's and transformed her own body through plastic surgeries in the 1920's.

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"Peter, Peter..."
A dark retelling of the children's rhyme "Peter, Peter, Pumpkin Eater," illustrating the disparity between the narratives we construct and the realities they represent.

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Boys Will Like Me
An experimental video documentary on women's shaving, juxtaposing personal interview with media images of women to dissect the relationship between our bodies and our dreams.

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The Last Supper
An examination of a woman's expectations and disappointments as she waits for her fiance to arrive for supper.

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The True Americans
A multi-media production using live video and slides, based on the 1968 murder of Kitty Genovese.

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Woods/The Dead Girl
Worked collaboratively with choreographer Sasha Welsh and filmmaker David Neal to create video accompaniment for live choreography.

© Photo by Jacques-Jean Tizeou